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Chanel Classic Wallet an astute dissection of the fashion industry on Thursday as he introduced Harold Koda – a renowned fashion scholar and the head of the Metropolitan Museum of Art's Costume Institute – at the Fashion Group International’s Night of Stars. WWD provided excerpts from Lagerfeld's handwritten manifesto:? “There is a strange and invisible borderline when fashion is not only fashion, but becomes the most evident and most easily visible expression of an area.”? “Fashion as history is beyond fashion, and it is not only limited to clothes.”? “It is difficult to imagine today that people who shaped the fashion of the first 50 years of the 20th century never had an exhibition in a great museum during their lifetime….Designers (called “Chanel Classic Wallet”) were happy to dress people (mostly women of society). They designed with the icons of their times in mind — before that word was used as we use it today. They had muses then….For Chanel, it was simpler. She was only her own inspiration (what I admire).? “The face of fashion is now in the hands of a small group of big companies and they often own several important and influential fashion brands. They also help to make it possible for museums to stage important shows.”? “Fashion is today also about big shows like Hollywood productions. In the past, designers made fashion history by dressing people who had a real life in those clothes. We should learn a lot from that. Red carpet (another invention of our times) helps to distort fashion by giving it a fake and too glamorous face.”? “The great designers of the past were certainly not humble people, but they worked in the days before media buzz. What helps most of us a lot in a way, promotion (and self-promotion), did not exist before. It’s also something that makes our approach to fashion different (Chanel Classic Wallet). But what will survive from all that?”? “Fashion is about the harmony between utility and beauty. But the sense of beauty in fashion changes quickly — nearly as quickly as fashion itself. Some people tell us that utility is itself the essence of beauty. That may be OK for sportswear (such an important part of fashion today and not always the best). I think there has to be another dimension to it, and Harold is our visionaire in that area. You don’t design a dress only because it’s easy to wear. It should be — but that reason alone could make fashion a bore.? “A new fashion can appear having the same origins in inspiration and admiration in the past of fashion. The danger is for us designers to be too exposed to the seduction of the past.”? “It is difficult to work out your own vision of fashion without being haunted by the beauty of the work of the people before us — even if they were also not immune to all kind of influences and inspirations to achieve a strong vision and a Chanel Classic Wallet unique style.”
Karl Lagerfeld Chanel Classic Wallet On Fashion Karl Lagerfeld delivered an astute dissection of the fashion industry on Thursday as he introduced Harold Koda – a renowned fashion scholar and the head of the Metropolitan Museum of Art's Costume Institute – at the Fashion Group International’s Night of Stars. WWD provided excerpts from Lagerfeld's handwritten manifesto:? “There is a strange and invisible borderline when fashion is not only fashion, but becomes the most evident and most easily visible expression of an area.”? “Fashion as history is beyond fashion, and it is not only limited to clothes.”? “It is difficult to imagine today that people who shaped the fashion of the first 50 years of the 20th century never had an exhibition in a great museum during their lifetime….Designers (Chanel Classic Wallet“couturieres”) were happy to dress people (mostly women of society). They designed with the icons of their times in mind — before that word was used as we use it today. They had muses then….For Chanel, it was simpler. She was only her own inspiration (what I admire).? “The face of fashion is now in the hands of a small group of big companies and they often own several important and influential fashion brands. They also help to make it possible for museums to stage important shows.”? “Fashion is today also about big shows like Hollywood productions. In the past, designers made fashion history by dressing people who had a real life in those clothes. We should learn a lot from that. Red carpet (another invention of our times) helps to distort fashion by giving it a fake and too glamorous face.”? “The great designers of the past were certainly not humble people, but they worked in the days before media buzz. What helps most of us a lot in a way, promotion (and self-promotion), did not exist before. It’s also something that makes our approach to fashion different Chanel Classic Wallet. But what will survive from all that?”? “Fashion is about the harmony between utility and beauty. But the sense of beauty in fashion changes quickly — nearly as quickly as fashion itself. Some people tell us that utility is itself the essence of beauty. That may be OK for sportswear (such an important part of fashion today and not always the best). I think there has to be another dimension to it, and Harold is our visionaire in that area. You don’t design a dress only because it’s easy to wear. It should be — but that reason alone could make fashion a bore.? “A new fashion can appear having the same origins in inspiration and admiration in the past of fashion. The danger is for us designers to be too exposed to the seduction of the past Chanel Classic Wallet .”? “It is difficult to work out your own vision of fashion without being haunted by the beauty of the work of the people before us — even if they were also not immune to all kind of influences and inspirations to achieve a strong vision and a unique style Chanel Classic Wallet .”

Coco Chanel Diane Kruger and Karl

Karl Lagerfeld is ‘like a Coco Chanel dad’We always knew that Diane Kruger was a big Chanel fan, (well, how could you not be after you starred in their campaign?) but little did we suspect how fond she was of creative director Karl Lagerfeld. The 33-year-old actress has revealed that whenever she's in Paris she makes time to see him, and that she thinks of him as more of a father than anything else. ‘Oh, Karl. I pop in to see him at work if I'm in the area,' she said in a recent interview. ‘Karl is like a dad. I've known him since I was 16 – I would do a lot for Karl.' Hmmm, wonder how the other men in her life feel about that…
Coco Chanel Fall 08 Karl LagerfeldAs his trademark dark-sunglass visage might imply, Karl Lagerfeld rarely looks around to see what other designers are doing. While his peers whip up frothy cocktail numbers and futuristic separates, Lagerfeld stuck to his own signature style for fall. The collection featured trim-fit blazers, starchy white shirts, and a smattering of darkly glitzy accents—from black bow ties to patent booties—all of which bore a slight resemblance to items in the designer’s own wardrobe. But then again, who wouldn’t want to be, or dress like, Lagerfeld? So legendary is his boldly iconic taste that it trumps any season’s trends.

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